HAQ has emerged as some of the closely watched Hindi releases on Netflix in the beginning of 2026, marking a big moment within the evolving cinematic legacy of Suparn S. Varma. In an OTT landscape often driven by short-lived spikes, the film has demonstrated sustained traction through each viewership and conversation, reinforcing Varma’s status for socially grounded, performance-led storytelling.
Haq secures no. 1 spot in India on Netflix, trends in top 10 across 14 countries
Based on Netflix weekly rankings, HAQ debuted at No. 1 in India and opened at No. 2 globally on Netflix’s Top 10 Non-English Movies list. The film also trended within the Top 10 across 14 countries, securing the No. 1 position in 5 countries, signalling strong international engagement for a Hindi courtroom drama anchored in ideas quite than spectacle.
The film quickly rose to the highest of Netflix India’s charts and has remained a consistent presence, outperforming several titles which have been available on the platform for longer periods. Beyond the metrics, Haq has generated notable discussion throughout the film industry. Actors, filmmakers, and creators across cinema and OTT platforms have responded publicly to the film, citing Varma’s restrained direction and the boldness with which the narrative allows silence, tension, and ambiguity to hold meaning.
On the centre of the film are Yami Gautam and Emraan Hashmi, whose performances ground the narrative in emotional realism. Gautam delivers a controlled and unflinching portrayal of Shazia, while Hashmi presents one in every of his most unsettling roles thus far. Together, they shift the courtroom drama away from procedural theatrics toward an examination of power, faith, marriage, and moral responsibility.
Inspired by the 1985 Shah Bano case, Haq approaches a landmark moment in India’s legal history through a private and human lens. Slightly than positioning itself as a historical retelling, the film focuses on the lived consequences of legal and social structures, allowing discomfort and complexity to stay central to the viewing experience.
Reflecting on the film’s reception, Varma said: “I never got down to make a movie that might trend. I desired to make a movie that might stay. Justice, especially for girls, isn’t neat or convenient. The Shah Bano case is remembered as a legal milestone, but behind it was a girl who needed to fight simply to be heard. That human cost was all the time my start line. The response tells me that audiences are willing to interact with complexity when a story treats them with empathy.”
With a body of labor that features The Family Man Season 2, Rana Naidu, Sirf Ek Banda Kaafi Hai, and now Haq, Suparn S. Varma continues to consolidate a filmmaking legacy defined by moral inquiry, narrative restraint, and performance-driven cinema. As Haq maintains momentum on Netflix, it stands as further affirmation that movies rooted in complexity and conviction can achieve each scale and endurance.
Also Read: Farah Khan gives thumbs as much as Suparn S Varma’s HAQ; lauds Yami Gautam and Emraan Hashmi
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