Church painting of angel resembling Georgia Meloni sparks outrage in Italy | News World

The striking resemblance has sparked backlash from opposition politicians (Picture: Shutterstock)

It just isn’t often political leaders are portrayed as angels – often quite the alternative.

That’s possibly why an almighty row has broken out in Italy over a church fresco which looks suspiciously like Prime Minister Giorgia Meloni.

A painting within the Basilica of San Lorenzo in Lucina, Rome, was spotted withthe striking resemblance after undergoing repairs.

The artwork portrays Umberto II, who reigned as Italy’s final king for just 34 days, and is supposed to feature two cherub-like angels watching over him.

Mandatory Credit: Photo by Stefano Carofei/Sintesi/SIPA/Shutterstock (16500181b) Italy, Rome, 2 February, 2026: A cherubic angel painted in a fresco (after the restoration) in the Basilica of San Lorenzo in Lucina reproduces the face of the Italian Premier Giorgia Meloni Italy, Rome, 2 February, 2026 - A cherubic angel painted in a fresco in the Basilica of San Lorenzo in Lucina reproduces the face of the Italian Premier Giorgia Meloni - 02 Feb 2026
The Meloni-like angel is seen holding a map of Italy (Picture: Stefano Carofei/Sintesi/SIPA/Shutterstock)

The newspaper La Repubblica, who first reported on the angel, said: ‘Before the restoration, there was a generic cherub. Today, it’s the face of probably the most powerful woman within the country.’

The volunteer restorer who freshened up the fresco denied depicting Meloni and said he was just restoring ‘what was there 25 years ago’.

Bruno Valentinetti said: ‘They asked me to repair it and I did. I worked on it for 2 years and finished the work a 12 months ago.’

He stressed ‘it’s not Meloni’ and described how he ‘traced’ the outline of’original design’ and ‘put the color back in’.

The church’s rector Monsignor Daniele Micheletti said he had asked for the chapel to be restored exactly because it was.

He said on Saturday: ‘I went to see the restoration this morning.

BGUK_3478156 - Rome, ITALY Restored fresco in the Basilica of San Lorenzo in Lucina that appears to depict the Italian Prime Minister, Giorgia Meloni Pictured: General View BACKGRID UK 2 FEBRUARY 2026 BYLINE MUST READ: COBRA TEAM / BACKGRID UK: +44 208 344 2007 / uksales@backgrid.com USA: +1 310 798 9111 / usasales@backgrid.com *Pictures Containing Children Please Pixelate Face Prior To Publication*
People have flocked to the church to see the restoration after it was first made public (Picture: COBRA TEAM / BACKGRID)

‘There’s indeed a certain resemblance, but we should always ask the restorer why he did it that way; I don’t know.’

Father Micheletti said the restoration was needed as a consequence of water damage, and that it dated back to 2000 so was not under heritage protection.

Nevertheless Italian authorities have launched an investigation into what happened and members of the opposition have even called for an inquiry.

One opposition lawmaker, Irene Manzi, called the touch-up ‘unacceptable’.

The Five Star Movement party said: ‘We cannot allow art and culture to risk becoming a tool for propaganda or anything, no matter whether the face depicted is that of the prime minister.’

Meloni herself has laughed off the controversy, posting an image of the fresco on Instagram and commenting: ‘No, I’m definitely not like an angel.’

Mandatory Credit: Photo by Vincenzo Nuzzolese/SOPA Images/Shutterstock (16427423as) Italian Prime Minister Giorgia Meloni attends a press conference during the Italy-Germany Intergovernmental Summit at Villa Doria Pamphilj. Italy-Germany Intergovernmental Summit at Villa Doria Pamphilj in Rome - 23 Jan 2026
Meloni laughed off the controversy (Picture: Vincenzo Nuzzolese/SOPA Images/Shutterstock)

Italy’s authorities for shielding cultural heritage, the Soprintendenza Archeologia, Belle Arti e Paesaggio, said they might be inspecting the restoration.

They added: ‘We’ll compare it with archive materials to find out not a lot who the restoration resembles, but whether any changes have been made, since the restorer would have needed to follow the unique lines.’

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