Karan Johar, one in every of Bollywood’s most influential filmmakers, has been a driving force in shaping Indian cinema. Known for grandiose sets, melodrama, and iconic songs, his movies often prioritize emotions and storytelling over strict logic. In a recent candid conversation, Johar highlighted other fundamental points of filmmaking that bypass logic. He emphasized that many successful movies often forego realism in favor of larger-than-life storytelling. This is very true in mainstream Indian cinema, where the audience embraces unimaginable scenarios, that transcend the boundaries of logic.
Johar referenced celebrated filmmakers like SS Rajamouli and Anil Sharma, who’ve mastered the art of conviction-driven storytelling. Their ability to make audiences suspend disbelief, he argued, is what separates good cinema from unforgettable blockbusters. Using examples like RRR and Gadar 2, Johar elaborated on how strong conviction trumps logic in crafting a cinematic spectacle.
Karan Johar says conviction comes into play when logic takes a backseat in cinema
During an interview with Komal Nahta, Karan Johar was asked what replaces logic when it takes a backseat in movies. Without hesitation, he replied, “Conviction.” He explained, “It is rather necessary. Should you take a look at the perfect filmmakers and take a look at to grasp their journey, their biggest or most successful movies are a results of conviction. If there’s conviction, logic won’t matter.” Johar cited SS Rajamouli’s movies, stating, “Take Rajamouli sir’s movies, for example. Where can you notice logic? You may only see conviction in his movies.”
Movies like RRR dazzle audiences with gravity-defying stunts and emotionally charged moments, not because they make logical sense, but because they’re imbued with unshakable belief of their story. Similarly, Gadar 2, directed by Anil Sharma, showcases over-the-top motion sequences, like Sunny Deol wielding a handpump to defeat a whole lot. Johar explained, “Anil Sharma believes Sunny Deol can do this, and consequently, the audience believes it too.”
In Karan Johar’s profession, he himself has not been involved in loads of motion movies that suspend belief of the fans. Nevertheless, his own conviction lies in emotions reasonably than motion. The indisputable fact that Jaya Bachchan could sense the presence of his son in Kabhie Khushi Kabhie Gham won’t be very logical. Nevertheless, it was the conviction of Karan Johar which made the scene believable for fans as well.
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