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In 2024, Lal Salaam, starring Rajinikanth, stirred discussion with its song Thimiri Yezhuda. The thrill centered around music legend A.R. Rahman’s use of Artificial Intelligence to recreate the voices of late singers Bamba Bakya and Shahul Hameed. While many listeners found the gesture touching, others questioned the moral implications of using AI to revive voices of the departed.
A.R. Rahman urges caution on AI in music; says, “The songs are so filthy, It must be controlled”
Sharing his perspective on the rising use of AI in music, A.R. Rahman spoke to PTI in regards to the need for balance. He acknowledged that while AI offers exciting creative possibilities, its application in music needs to be handled with care, sensitivity, and responsibility.
Rahman stated, “I don’t know what’s going to be, belling the cat. A few of the songs are so filthy, yet they arrive out with the voices of popular singers. It must be controlled because if it’s not, there’ll be chaos.”
He further explained, “There are each good and bad features, and the nice things needs to be used to empower individuals who never had the prospect to place their vision into motion. But overusing it in a nasty way is bad for us. It’s like mixing poison with oxygen and respiratory it in. There needs to be rules, like certain things you’ll be able to’t do. Like, how they speak about ethics or behaviour in a society, this can be behaviour within the software and digital world.”
The composer had previously addressed concerns regarding using AI to revive the voices of the late singers in Lal Salaam, clarifying that their families were consulted, gave their consent, and were compensated for his or her contributions.
A.R. Rahman also responded to singer Abhijeet Bhattacharya’s criticism, where Bhattacharya had accused him of contributing to the decline of live music and over-relying on technology in his compositions. Abhijeet argued that Rahman’s dependence on technology disrespects musicians who play traditional instruments and that the shift towards digital music is leaving many instrumentalists without jobs.
In response, Rahman defended his use of technology, emphasizing that it’s not about replacing live musicians, but fairly enhancing the music-making process. He added that he fully supports musicians and views technology as a tool to explore latest creative possibilities in music.
Rahman told India Today in an interview, “It’s nice accountable me for all the things. I still love Abhijeet, and I might send cakes to him. Also, it’s his opinion, and there’s nothing unsuitable with having one.”
Rahman shared, “I recently arrange an orchestra with 60 women in Dubai. They’re employed every month and receive insurance, health advantages, and all the things. In every movie I work on, whether it’s Chhaava or Ponniyin Selvan, there are 200-300 musicians involved, and a few songs feature over 100 people. I don’t showcase or post photos with them, so people don’t all the time learn about it.”
He also clarified that computers are only a tool to design unique harmonies, enabling him to explore latest sounds. He explained that hiring musicians for a project only to later reject their work isn’t all the time practical. Rahman further added that the producers he’s worked with can attest to the many musicians he’s collaborated with throughout his profession.
On the work front, A.R. Rahman is reuniting with Mani Ratnam for his or her next major project, Thug Life. Starring Kamal Haasan within the lead, the highly anticipated film is ready to release in theatres across India on June 5.
Also Read : A.R. Rahman opens up on working with Kamal Haasan in Thug Life; says, “I feel like from the screen he’s taking a look at me”
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