Seven years after its launch, Taiwan-based Each Other Movies is moving into an expanded phase of international production, with co-founder and head producer Jacqueline W. Liu and co-founder and CEO Tiffany Yu-Chia Chen unveiling a various lineup that stretches from documentary to big-budget motion.
The quartet of projects represents a widening scope for the Taipei company, which has steadily built credentials through festival selections, streaming deals and native box office success since 2017.
Among the many newly revealed titles is a documentary about drag performer Pangina Heals, a figure who bridges Taiwanese and Thai cultures. The film, titled “Heals,” represents the corporate’s initial move into factual storytelling through international partnership, working alongside Thailand’s N8 and World of Wonder.
Fiction projects include Henry Tsai’s first directorial effort, “Spent Bullets,” adapted from short stories by Taiwan author Terao Tetsuya. Production will span multiple cities including Silicon Valley, Las Vegas and Taipei. The film has secured spots at each Golden Horse Film Project Promotion and Taiwan Creative Content Fest 2025.
The corporate can also be returning to a proven property with a fresh chapter in its hit “The Accidental Influencer” franchise. Centered on the character Red, “The Accidental Influencer: Love Me If You Dare” will launch next January on each GTV and Netflix, bringing back the series with additional forged members and storylines focused on contemporary relationships.
Perhaps probably the most ambitious entry is “The Odd Three: Madam Tiger,” which director Joseph Chen-Chieh Hsu (whose credits include “Little Big Women” and Tokyo-bowing “Double Happiness”) is developing as a large-scale adventure that reinterprets traditional folklore through a contemporary lens. The project is being positioned as a possible launching point for added character-driven stories across the region.
“I’ve at all times believed that a story rooted in a particular place, language, or authentic human connections can still move people in every single place,” said Liu. “That’s the ability of cinema — it turns the private into the universal. As we enter this next phase, I’m excited to expand what which means, especially across genre, scale, and collaboration.”
“Constructing a production company means knowing where you ought to go, and selecting the correct stories and other people to take you there,” added Chen. “We’ve spent the past seven years constructing trust — with creators, with partners, and with one another. Now, we’re able to scale. The long run of Asian storytelling is global, and we’re here to be a part of that shift.”
The corporate’s previous work includes the 2020 theatrical release “Little Big Women,” which topped the Taiwan box office that yr and earned recognition on the Golden Horse Awards before landing on Netflix. More recently, “The Accidental Influencer” became an HBO Asia original in 2024, while “Dreams in Nightmares” played Berlin’s Panorama section this yr. “Penguin Girl” opened last yr’s Kaohsiung Film Festival.
Operating under a mission statement emphasizing female perspectives and universal connection, Each Other Movies continues developing its pipeline while pursuing additional partnerships across borders.