{"id":320386,"date":"2026-04-18T00:23:48","date_gmt":"2026-04-17T18:53:48","guid":{"rendered":"https:\/\/ebiztoday.news\/?p=320386"},"modified":"2026-04-18T00:23:48","modified_gmt":"2026-04-17T18:53:48","slug":"she-broke-cinema-barriers-within-the-middle-east-then-she-needed-to-evacuate","status":"publish","type":"post","link":"https:\/\/ebiztoday.news\/index.php\/2026\/04\/18\/she-broke-cinema-barriers-within-the-middle-east-then-she-needed-to-evacuate\/","title":{"rendered":"She Broke Cinema Barriers within the Middle East. Then She Needed to Evacuate"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tFor greater than a decade, the Polish-Australian filmmaker Nancy Paton has been within the thick of massive cultural shifts within the Middle East. She first moved to Saudi Arabia within the early 2010s, a time when \u201cI never saw men,\u201d she says, as a consequence of the strict climate of gender separation. The considered launching a female-forward production company on the time would appear preposterous. And yet Paton noticed things changing \u2014 \u201cunderground women\u2019s movements,\u201d an evolution in the way in which movies and series were discussed and regarded. So she got in on the bottom floor, founding Desert Rose Movies, which prioritizes local women\u2019s stories and artistry.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tPaton has spent the last several years in Abu Dhabi, where her company is predicated \u2014 but on an April evening, she\u2019s zooming with <em>The Hollywood Reporter <\/em>from Cannes, France, where she and her family needed to relocate as a consequence of the continued war in Iran. We\u2019re speaking just because the ceasefire has taken effect, a tenuous sign of progress that Paton hopes holds \u2014 each for her circle of relatives\u2019s probability to return to their lives and for the sake of the industry she\u2019s helped construct up within the region. In any case, shoots have been postponed; collaborators have relocated. The sense of danger that\u2019s engulfed Paton\u2019s home city and surrounding areas can easily damage the momentum that\u2019s been fueled by every part from foreign tourism to government funding.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tPaton still commonly comes up against censorship in her producing work; she\u2019s still fighting to get film to be seen as a field value investing in. But she\u2019s seen major progress and worries about what happens next, amid all of the chaos and uncertainty. Here she describes her journey from production CEO to wartime evacuee \u2014 and what she hopes for on the opposite side.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>To begin, are you able to give me a broad sense of what the past few weeks have been like for you?\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI live in Abu Dhabi. That\u2019s my company\u2019s base and that\u2019s where I\u2019ve been based for eight years. I\u2019ve been within the region nearly 14 years \u2014 I used to be in Saudi five years before, but I couldn\u2019t open up a movie company in Saudi during that period \u2014 and we left on day 10 [of the war]. I needed to go anyway to Vegas and Recent York for a conference I\u2019d been speaking at. The those that I work with were like, \u201cLook, you\u2019ve got to go, you\u2019ve already planned this.\u201d I didn\u2019t want to go away my kids in case I wasn\u2019t capable of fly back. So we decided to relocate the children the day before I needed to fly. After which I flew back after 12 days in L.A. and America, and we were going to return home, nevertheless it escalated to a degree where we sort of said, \u201cLet\u2019s stay somewhere for some time until we all know we are able to physically return.\u201d And Abu Dhabi was hit greater than Saudi Arabia. We\u2019re actually not removed from the synagogue.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI\u2019m hoping the ceasefire does hold in order that we are able to return. But let\u2019s just see. That may really tell us what we\u2019re going to do as a family. I mean, we own a house there, we\u2019ve invested every part in there \u2014 that\u2019s our life, our youngsters. My kids were born in Saudi. They\u2019re blonde with blue eyes they usually think they\u2019re Saudi, so that they speak Arabic; their identities are slightly bit confusing themselves. In that sense, it\u2019s been slightly little bit of an unexpected turn.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tNearly 14 years ago once I moved there, I\u2019d been with the mindset that this place is changing and really moving forward \u2014 and what I\u2019ve seen occur over the 14 years and the way I\u2019ve seen it grow, I didn\u2019t think at the present time would come.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Where were you when it comes to production when this broke out? How have you ever gauged that initial impact?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI used to be meant to be shooting a movie in April. We were actually going into production on a feature film, and we had two actors from the U.K. flying in \u2014 we\u2019re doing an Abu Dhabi, <em>Romeo and Juliet<\/em> love story, and we\u2019ve needed to postpone that to October. 4 days in, we decided as a team we couldn\u2019t bring actors from the U.K. over\u2026. I used to be also meant to be filming a feature with an area woman director, local story, which is what I\u2019m all about. It was a part of a slate of features that we\u2019ve been putting together and that we now have interest in doing and the region\u2019s really pushing. But that\u2019s just been placed on pause.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<iframe loading=\"lazy\" title=\"Mountain Boy (2024) | Official Movie Trailer\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/EhpJJGcOUec?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Are you able to say slightly bit more about how, while you first moved into the region, you noticed things changing? What you were noticing and what opportunity did you see see \u2014 and the way has that developed over the past decade or so?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI used to be living in London and we got the chance to go to Dubai or Saudi, and I used to be like, I\u2019m definitely going to Saudi. It was harder to get into Riyadh, Saudi Arabia as a lady under 35, than North Korea \u2014 so I used to be like, oh my God, I\u2019ve got to go to a spot knowing I can get to North Korea more [easily] than Riyadh. You\u2019re going back in time. That is when women couldn\u2019t drive. That is while you had the fatwa, separate times in malls for ladies and men. Every thing was segregated. I never saw men. I wanted to jot down, I desired to tell the stories of the ladies, and I got a job at a university lecturing. There was no filmmaking. I actually thought we were going to go temporarily. I didn\u2019t think I&#8217;d fall in love with it and wish to remain within the region.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI do know loads of expats perhaps aren\u2019t sometimes, but I got to actually get engulfed in the neighborhood and the culture. I began meeting the locals, and I believe that\u2019s once I began hearing their stories and meeting loads of talented women in their very own fields. I began seeing, \u201cWow, there&#8217;s going to be a change.\u201d What was happening underground, I\u2019d call it the suffragette period of the Middle East. I don\u2019t know if that\u2019s allowed, but that\u2019s what I call it. (<em>Laughs<\/em>.) Those 4 years I used to be there, there was a lot underground women\u2019s movement happening. We were doing events on the embassies. We were doing filmmaking workshops in any respect these embassies. We knew that every one these policies and changes were happening from inside.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>How did that impact filmmaking?\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIn Hollywood, you\u2019ve got monetizing platforms that show how this industry makes money. They don\u2019t have that [in GCC countries] they usually don\u2019t understand how it\u2019s possible where now they\u2019re seeing that that is an industry, that is an asset. I\u2019ve been into a number of family office meetings within the last six months, and a few of these people have invested in tech apps they usually\u2019ve lost hundreds of thousands of dollars on it, but they won\u2019t put money into a movie where they get an IP where they may actually monetize it. They\u2019ll put money into something like an AI product, which never monetizes in any way, nevertheless it\u2019s okay since it\u2019s \u201ctechnology.\u201d And film is an actual investment that we could possibly be entering into. I\u2019ve been seeing that shift as well. Now we have a slate of movies with women by women, and now we\u2019re getting proper investment, conversations and wanting to do these projects \u2014 that was never around 13 years ago.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThat\u2019s why this has also affected me a bit to be an element of that after which to perhaps see it not proceed. It could be such a tough hit if it were to go down that route, which I don\u2019t think it&#8217;s. There\u2019s just been such great change in development for us as female filmmakers within the region, so hopefully that continues.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>What you\u2019re describing is: You\u2019ve been on this trajectory, you\u2019ve hit these strides, and now you\u2019re in a period of great uncertainty that threatens all that. Right?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tExactly. I\u2019ve also had quite loads of conversations with certain government entities calling, \u201cHang on, how can we prepare for when it comes back? What are the projects we\u2019ve got to be specializing in? What can we get off the bottom?\u201d When you will have a movie, it\u2019s your event, it\u2019s your tourism, it\u2019s your museums \u2014 you\u2019re actually activating all of that on something that\u2019s authentic and may touch more people. We proved it with the last film that we did: <em>Mountain Boy<\/em>. We went to 44 festivals, and we at all times knew it was hard to distribute \u2014 it\u2019s an Arabic language family story \u2014 however the impact that we had from that in all these places had people coming out going, \u201cHey, I would like to go to Fira [in Santorini]. Where\u2019s Abu Dhabi?\u201d Lots of these places, they didn\u2019t even know where we were on the map. My director was in a hijab as well. The impact and the storytelling and what that did is a lot greater than a tourist ad that may\u2019ve cost the identical sum of money. Culture and tourism can be film, and film plays such an element of that.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tEven with the last film I did, I had the censorship: \u201cI can\u2019t put this within the script. Can\u2019t try this.\u201d Which is high-quality. I did it. I\u2019m not going to stop. The essential thing is to make the movie. You need to tell not only the stories from the region, but honest ones. That\u2019s also been a hurdle \u2014 they know internationally they\u2019ve been slandered a lot as a culture, as a region, that they simply don\u2019t wish to add more to that. I completely understand that they&#8217;ve been put in a foul box for a really very long time. But I believe we\u2019re at that time now \u2014 and I believe perhaps even due to what\u2019s occurring \u2014 where you desire to show your real authentic relationships, your love stories, which we were going to do that Romeo and Juliet story between an Emirati girl and a British boy, which before you&#8217;d never have an interracial [relationship] be allowed. But that goes on, and that\u2019s a very good thing to speak about \u2014 the love between a Brit and an Emirati because that happens. These conversations, again, wouldn&#8217;t have happened six years ago.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<iframe loading=\"lazy\" title=\"This Dubai Premiere Made History Mountain Boy at Reel Cinemas\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/jw18AhKX3Ng?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Given how unpopular and devastating the war has been, what sort of response from artists and filmmakers might we expect?\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIn these sorts of periods, you see that, right? We\u2019ve seen the good stuff that comes out of Iran. And already, I get loads of calls typically just on people pondering out of the box. There\u2019s certain content that we\u2019ve been throwing around. I\u2019m looking into micro dramas \u2014 they\u2019re quick to show around, they\u2019re not so high budget, and we are able to get among the crew working. All the larger movies that were going to be shot [with] U.K. actors or\u00a0stars coming in, nobody\u2019s going to fly in immediately of that caliber. How you can activate the local talent currently into doing something? There\u2019s loads of acting workshops I\u2019m seeing because I head up Women in Film, and we have now 1,200 women in our group across the GCC, predominantly Saudi and UAE. They\u2019re already beginning to pitch ideas. There are writing labs happening; individuals are just connecting on Zoom or in the event that they\u2019re of their area meeting up. There may be one TV series that we\u2019ve been , which ought to be quite interesting \u2014 it\u2019s based on what\u2019s occurring.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>There\u2019s also the larger query of displacement. How are artisans and folks who contribute to those movies from all disciplines being impacted immediately? What does that say more broadly about how the industry within the region will bounce back?\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI don\u2019t think individuals are leaving the region as quickly because it\u2019s being advertised. The media is slightly little bit of propaganda: \u201cOh my God, everyone\u2019s leaving the region for this reason war,\u201d Actually, surprisingly, it\u2019s what number of individuals are staying <em>because<\/em> of it. That&#8217;s what\u2019s quite amazing, the quantity of those that are literally staying. Lots of these government entities pay these production houses for commercials \u2014 loads of them live off TV shows, other productions, not only movies. Production is many things, events. And there aren&#8217;t any events. Your commercials aren\u2019t being made now; they\u2019re being outsourced or not being done immediately because that cash from that budget goes into sustaining the country, which after all everyone agrees with. Everyone wants the country to sustain, but meaning loads of individuals are sitting around and apprehensive about their jobs.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIt\u2019s tourism. All of the hotels, they pay for commercials; if all of those hotels start shutting down, who will likely be paying for commercials? All of the events inside the hotels which can be being run, all the style shows, all these items which can be entertainment-based but depend on the tourism \u2014 it\u2019s a ripple effect. I don\u2019t wish to be pessimistic. I\u2019m Australian \u2014 I at all times attempt to stay optimistic. That\u2019s how I\u2019ve lived my life anywhere I&#8217;m going and I would like to remain that way. It&#8217;s a bit harder this time, to be honest. I mean, I lived in Saudi after we had more power; it was bad, right, in a way, but I used to be optimistic then.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>What are you combating most, when it comes to optimism?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIt could take a bit longer to bring entertainment back. I mean, it\u2019ll be the last one to return back. Now we have Lebanese, Jordanians, Americans, British, Australians, South African filmmakers that live within the region. Like in L.A., what in the event that they go they usually start finding Atlanta or Georgia or Kentucky they usually start making home there since it\u2019s safer? They begin going to different places, and why would they arrive back? When will they arrive back? I do know the federal government doesn\u2019t want that to occur. I\u2019m having conversations with certain government entities about the right way to keep activating the space. If [the war] stops in the following two weeks, I believe it&#8217;s going to bounce back. Definitely by the summertime or end of summer \u2014 people will come back and folks will work.<\/p>\n<\/div>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For greater than a decade, the Polish-Australian filmmaker Nancy Paton has been within the thick of massive cultural shifts within the Middle East. She first moved to Saudi Arabia within the early 2010s, a time when \u201cI never saw men,\u201d she says, as a consequence of the strict climate of gender separation. The considered launching [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":320387,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20669],"tags":[10221,4346,10058,17667,20854,4595],"class_list":["post-320386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hollywood","tag-barriers","tag-broke","tag-cinema","tag-east","tag-evacuate","tag-middle"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ebiztoday.news\/index.php\/wp-json\/wp\/v2\/posts\/320386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ebiztoday.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ebiztoday.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ebiztoday.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ebiztoday.news\/index.php\/wp-json\/wp\/v2\/comments?post=320386"}],"version-history":[{"count":2,"href":"https:\/\/ebiztoday.news\/index.php\/wp-json\/wp\/v2\/posts\/320386\/revisions"}],"predecessor-version":[{"id":320389,"href":"https:\/\/ebiztoday.news\/index.php\/wp-json\/wp\/v2\/posts\/320386\/revisions\/320389"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ebiztoday.news\/index.php\/wp-json\/wp\/v2\/media\/320387"}],"wp:attachment":[{"href":"https:\/\/ebiztoday.news\/index.php\/wp-json\/wp\/v2\/media?parent=320386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ebiztoday.news\/index.php\/wp-json\/wp\/v2\/categories?post=320386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ebiztoday.news\/index.php\/wp-json\/wp\/v2\/tags?post=320386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}