Josh Safdie Series Enters 10-Categories

HBO Max goes wide with its Emmy campaign for “Neighbors,” the Josh Safdie-produced docuseries that turned America’s pettiest property-line feuds into some of the talked-about unscripted experiments of the season.

After being greenlit for a second season, the network is submitting the series in 10 categories at this yr’s Emmy Awards, including a bid within the outstanding unstructured reality program category, Variety revealed exclusively. Created and directed by Harrison Fishman and Dylan Redford, the six-episode A24 production spent greater than two years embedding with feuding neighbors across the U.S., framing their disputes over fences, surveillance cameras, backyard menageries and one now-infamous swimsuit as a verité window right into a polarized nation.

The series marks a notable pivot for Josh Safdie, who produces “Neighbors” alongside frequent collaborators Bronstein and Bush following the well-documented skilled split from brother Benny Safdie. It also continues HBO Max’s run of Safdie-aligned nonfiction swings, including “Telemarketers” and “Ren Faire,” trading those projects’ single-subject deep dives for an anthology rhythm that stacks multiple flamable stories into each half-hour.

Safdie is coming off his 4 Oscar nominations for best picture, director, original screenplay and editing for the Timothée Chalamet table-tennis dramedy “Marty Supreme.” Alongside the multihyphenate in the highest submission race, this system enters with a producing roster that features Ronald Bronstein (who also scored double Oscar noms for “Marty”), Eli Bush, John Paul Lopez-Ali, Jonathan Hausfater, Chris Bowyer, Harrison Fishman, Dylan Redford, Samuel Fishman and Brendan McHugh as executive producers, together with Andy Ruse and Max Allman as co-executive producers, Natalie Teter as producer and Rachel Walden with a produced by credit. The campaign coalesces across the jaw-dropping finale “Yellow Thong Bikini” (Episode 106), which carries into nearly every craft race.

There’s an interesting Hollywood bloodline embedded within the producer credits. Dylan Redford, who serves as co-creator, director, editor, cinematographer, production sound mixer, fundamental title editor and motion design director on the series, is the grandson of the late Robert Redford, the Oscar-winning actor and Sundance Film Festival founder who died last yr at 89.

A possible Emmy nod would also break an extended dry spell for the network within the genre. HBO has rarely been a think about the fact races, and “Neighbors” comes as a populist play centered on a relatable subject: the feud round the corner. A bid in unstructured reality could be HBO’s first reality series nom in six years, since “We’re Here” in 2020, and would make “Neighbors” only the fourth reality series the network has ever landed in the sector following “Project Greenlight” (2016, 2004 and 2002) and “Taxicab Confessions” (2002 and 2001).

Emmy nomination-round voting runs from June 11-22, and the official 78th Primetime Emmy Awards nominations will likely be announced on July 8.

The complete list of the Emmy submissions is below.

The primary season of “Neighbors” is streaming on HBO Max.

  • Outstanding Unstructured Reality Program: Episode 106, “Yellow Thong Bikini”
  • Directing for a Reality Program: Harrison Fishman and Dylan Redford, Episode 106, “Yellow Thong Bikini”
  • Picture Editing for an Unstructured Reality Program: Dustin Waldman, Harrison Fishman, Dylan Redford, Nicholas Nazmi and Kima Hibbert, edited by; Eavvon O’Neal, additional editor, Episode 106, “Yellow Thong Bikini”
  • Casting for a Reality Program: Harleigh Shaw, casting by
  • Cinematography for a Reality Program: Harrison Fishman, Sam Fishman and Andy Ruse, cinematographers, Episode 106, “Yellow Thong Bikini”
  • Sound Mixing for a Reality Program: Paul Hsu, re-recording mixer; Dylan Redford, production mixer, Episode 106, “Yellow Thong Bikini”
  • Music Composition for a Documentary/Nonfiction or Reality Program (Original Dramatic Rating): Max Whipple, rating composed by, Episode 106, “Yellow Thong Bikini”
  • Original Major Title Theme Music: Max Whipple, rating composed by
  • Title Design: Steve Smith, designer and animator; Emily Chin-Longobardi, typographer; Dylan Redford, Harrison Fishman, Dustin Waldman, Kima Hibbert and Nicholas Nazmi, editors
  • Motion Design: Steve Smith, animator; Dylan Redford, director and editor; Nicholas Nazmi and Dustin Waldman, editors; Harrison Fishman, director, editor and cinematographer

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